Alfred Sisley
French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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Alfred Sisley Snow at Louveciennes (san21) oil painting


Snow at Louveciennes (san21)
1878 2'x1'8"(61x50.5cm)Bequest of Count Isaac de Camondo.
Painting ID::  20816
Alfred Sisley
Snow at Louveciennes (san21)
1878 2'x1'8"(61x50.5cm)Bequest of Count Isaac de Camondo.
   
   
     

Alfred Sisley The Forge at Marly-le-Roi (san34) oil painting


The Forge at Marly-le-Roi (san34)
1875 1' 9 3/4x2' 5"(55x73.5cm) Gift of Etienne Moreau-Nelaton.1906
Painting ID::  20836
Alfred Sisley
The Forge at Marly-le-Roi (san34)
1875 1' 9 3/4x2' 5"(55x73.5cm) Gift of Etienne Moreau-Nelaton.1906
   
   
     

Alfred Sisley Fog,Voisins (san35) oil painting


Fog,Voisins (san35)
1874 1' 7 3/4"x2' 1 1/2"(50x65cm) Bequest of Antonin Personnaz,
Painting ID::  20838
Alfred Sisley
Fog,Voisins (san35)
1874 1' 7 3/4"x2' 1 1/2"(50x65cm) Bequest of Antonin Personnaz,
   
   
     

Alfred Sisley The Bark during the Flood,Port Marly (mk09) oil painting


The Bark during the Flood,Port Marly (mk09)
1876 Oil on canvas,50.5 x 61 cm Paris,Musee d'Orsay
Painting ID::  21477
Alfred Sisley
The Bark during the Flood,Port Marly (mk09)
1876 Oil on canvas,50.5 x 61 cm Paris,Musee d'Orsay
   
   
     

Alfred Sisley The Bridge of Moret (mk09) oil painting


The Bridge of Moret (mk09)
1893 Oil on canvas,73.5 x 92.5 cm Paris,Musee d'Orsay
Painting ID::  21478
Alfred Sisley
The Bridge of Moret (mk09)
1893 Oil on canvas,73.5 x 92.5 cm Paris,Musee d'Orsay
   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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